Stowe's novel filled the American imagination with the cruelty and injustice of slavery, and it may even have motivated some northerners to take up arms. Upon meeting Stowe for the first time inAbraham Lincoln allegedly greeted the most famous woman in America by asking, "Is this the little woman who made this great war? His book is best described as a biography of Stowe's famous novel.
Literary criticism[ edit ] Reynolds challenges the once-prevalent view—introduced by the New Critics and later promoted by the deconstructionists and other theorists—that literature is divorced from the author's life and contexts.
His reconstruction of the cultural and social contexts of literature began with his book Faith in Fiction: The Emergence of Religious Literature in America, which explores some writers from Puritan times through the late 19th century.
In Beneath the American Renaissance: Matthiessen's best known work and expands his thesis. Here Reynolds combines elements of New Historicism and cultural studies with archival research to show that great literature is characterized by its radical openness to biographical, political, social, and cultural images, which certain responsive writers adopted and transformed, yielding such symbols as Melville's white whaleHawthorne's scarlet letter, Poe's ravenand Whitman's grass leaves.
Contesting the standard interpretation of America's great writers as marginal figures in a sentimental, proper society, Reynolds reveals that they were instead immersed in a culture that was frequently sensational, subversive, or erotic, epitomized by popular novels about city mysteriessuch as the lurid best-seller The Quaker City, or The Monks of Monk Hall by the Philadelphia writer George Lippard the subject of two other books,  by Reynolds.
Biography[ edit ] A proponent of what he terms cultural biography, Reynolds places figures like Walt Whitman and John Brown in their own era. American history[ edit ] In the field of history, Reynolds highlights the intersection of politics and culture.
America in the Age of Jackson political and social leaders, artists, musicians, reformers, scientists, artists, ministers, and self-styled religious prophets who shaped American history.
In Mightier than the Sword: Her six books include Memory in Literature: Neuroscientific and Humanistic Perspectives coedited with Paul M. Matthews and James B. McClellandand Aesthetic Autobiography: Awards and honors[ edit ].Jun 26, · There’s nothing unsettled, however, about “Mightier Than the Sword,” David S.
Reynolds’s informative account of the writing, reception and modern reputation of “Uncle Tom’s Cabin.”. David S. Reynolds interviewed about Mightier than the Sword: Uncle Tom’s Cabin and the Battle for America by Wilmer Leon, “Inside the Issues,” XM Channel Lecture David S.
Reynolds’s Talk and Q & A on Mightier than the Sword: Uncle Tom’s Cabin and the Battle for . Mightier than the Sword: Uncle Tom’s Cabin and the Battle for America is written by David S.
Reynolds. Reynolds is a Distinguished Professor of English and American Studies at the Graduate Center of the City University of New York. Words Essay on The Pen Is Mightier Than the Sword.
Article shared by. The final verdict has yet to be pronounced whether the pen or the sword is mightier.
The supporters of each viewpoint have their own logic to present. Words Essay on Self Help (free to . Mightier Than the Sword: Uncle Tom's Cabin and the Battle for America, is a biography of the life of a book in the context of years of American literary, social, political, and entertainment history/5(19).
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the sword. Okay, a pen for some interpretations, in the atlantic - fiction writing.